abysmalactor: (Default)
Neo-New Sawatari-san! ([personal profile] abysmalactor) wrote2015-10-17 11:56 pm
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RYSLIG | IC INBOX


WELCOME TO YOUR PRIVATE CHANNEL, neonewtheatre.

FOR SECURE COMMUNICATION, USE 018.07.154.55

*** neonewtheatre has joined 018.07.154.55
<neonewtheatre> wwelcom one and aal to my sstage.
<neonewtheatre> ill fix tthis later when my hands arnet mincmeat ok
 
operadiance: brusquely (bruscamente)

[personal profile] operadiance 2017-08-05 12:52 am (UTC)(link)
YOU GAVE YOURSELF OVER TO THE ONE THAT'S BROUGHT US ENDLESS SUFFERING
THE ONE WHO TOOK AWAY OUR FRIENDS

YOU BETRAYED EVERYONE
operadiance: crushing (acciaccatura)

[personal profile] operadiance 2017-08-05 01:04 am (UTC)(link)
Don't you dare try lying to me
i heard everything
i know where you went
i know what you did

i hope it was worth it.


[ screw this. she has a whole ton of shit to move into the arcade. ]
operadiance: closed (chiuso)

[personal profile] operadiance 2017-08-05 01:17 am (UTC)(link)
[ It's probably for the best that she's not reading his messages anymore. She's already killed him at home once already.

But hey, it's not like she'll be hard to find, right?
]
operadiance: little false (falsettone)

[personal profile] operadiance 2017-08-05 01:26 am (UTC)(link)
[ There's nobody there when he walks in. There's a radio playing quietly atop one of her dressers, but Yuzu isn't there. Neither are a lot of her things. The closet is open, scattered accessories along the floor, dresses that slipped off their hangers, but the bar itself is bereft of wardrobe. The bottles she kept on the bureau, gone. The case for her viola is still propped against one of the walls, and small knickknacks still litter many of the flat surfaces. Her bookcase is only halfway emptied, and all the dried wreathes and bouquets still hang from the walls.

A hurried move, but still in progress.
]
operadiance: (1)

[personal profile] operadiance 2017-08-05 02:10 am (UTC)(link)
[ The door closes behind him, untouched. The music is quiet, some old instrumental piece with heavy reliance on strings; the upbeat tempo is not comforting. The disarray of the room and the open drawers reveals some hidden and forgotten trinkets. On her desk, a set of curled white horns — the remnant of her time as a demon, made into a holy weapon as she exists now; the polished knives in the open drawer are likely Kurosaki's. A few sets of earrings on her dresser, some necklaces, an old pair of sunglasses. On the bookshelf, most have the bindings of published works, but the bottom shelf has only five spiral notebooks, several with slips of paper and improvised bookmarks sticking out from their pages. On her bedside table, two polished stones — chunks of amber, they look like, with small daisies laid to rest within their centers. They look strange: the amber is filled with little cracks that shimmer, like bolts of suspended lightning.

The door swings open. Yuzu crosses the threshold, not from the apartment hallway, but from a deep darkness, a stretch of black and electric light that seems to tunnel back eternally. She looks sick. The pallor of her skin, of her scales, the darkness around all four of her eyes — she'd barely seemed to be recovering from Kurosaki's disappearance when Yuya vanished, too, and the sickliness has clung to her like a cloak since then. The thinness of her face and limbs, the consequence of her self-imposed starvation, only worsens her appearance.

She is not well; she has not been well for a long time. Standing there against the deep black of that forbidden realm, anger in her eyes and twisting at her mouth, only seems to exaggerate her decline.
]

What do you want now?
operadiance: from Bergamo (bergamasca)

[personal profile] operadiance 2017-08-05 02:32 am (UTC)(link)
[ She bristles, pride alive and well; her tail flicks behind her, back and forth with aggressive threat. Her wings pull in tighter, and with a noise in her throat more animal than human, she strides into the room. She pushes past Sawatari with excessive force, snatching the two gems of amber from the side table with the priority of defensiveness. It's not until the stones are in hand that she glowers back at him. ]

Like I care what you think about me now.

[ But it is not anger alone: the redness in her cheeks, the over-brightness of her eyes, the way her arms tremble as she moves towards the desk — anger is the crumbling rock she clings to, rather than endure once again the storms of hurt. ]
operadiance: strained (sforzando)

[personal profile] operadiance 2017-08-05 02:47 am (UTC)(link)
Stop it.

[ The room is unbearably warm. She answers with her teeth clenched, tail still swaying behind her. ]

You can't pretend you didn't know what would happen!
operadiance: divided (divisi)

[personal profile] operadiance 2017-08-05 02:59 am (UTC)(link)
[ Too stubborn to change her path, to learn from her mistakes — burning bridge after bridge until there's no connections left. A volcanic island, isolated at sea.

There's steam in her eyes.
]

I was there, you idiot! Did you really think I would ever forgive you for joining her?
operadiance: humorous (buffa)

[personal profile] operadiance 2017-08-05 03:16 am (UTC)(link)
[ Where does she keep that fan, anyway? Because one moment she's standing across the room from Sawatari, her hands balled into fists at her side, and the next she's nearly atop him, swinging the folded paper of her slapstick fan with all the force of a baseball bat, a sledgehammer, a battleaxe. It's a miracle that the fan itself hasn't caught fire, from how hot her anger burns.

That kind of nonchalant admission — doesn't he understand what he's done? How clueless, how idiotic is he? She doesn't know what hurts worse, the betrayal now, or how this filter of light changes every scene that came before.

She smacks him with the fan a second time for good measure before throwing it aside, hurt coalescing and bubbling up from her chest, tightening around her throat and in her face and at her eyes, tears burning in her eyes. It hurts just to breathe.

What's left that she can't leave behind? Once she crosses back through that threshold and pulls the door shut behind her, he won't be able to follow her anymore. With unsteady balance, she turns back to the desk. Just the horns, imbued with her holy magic... if she has to leave her journals behind, so be it, but she can't stay here any longer.
]
operadiance: closed (chiuso)

[personal profile] operadiance 2017-08-05 03:36 am (UTC)(link)
Like I can believe you now.

[ She grabs the horns in one hand, fingers curling around the familiar curves. It doesn't bring any comfort. ]

Nobody goes with a Fog priestess to Dyster for a social call.

[ Hurt leaves her head swimming, her body trembling, unstable, but anger keeps her moving, keeps her on her feet. It's too much to bear; once she's back in her room at the arcade, she can let herself collapse.

She staggers towards the door.
]
operadiance: brusquely (bruscamente)

[personal profile] operadiance 2017-08-07 06:16 am (UTC)(link)
[ He reaches for a hand, a sleeve, some swatch of her dress, her wing, but instead his paw closes around the thin, bony stretch of tail, well above the vane. Its usual bend pulls straight, taut — it's not until it's stretched to its full length, creating resistance, that she stops in her tracks. She can't fully turn, but the limb tries to thrash loose. ]

Let go of me!
operadiance: strained (sforzando)

[personal profile] operadiance 2017-08-07 06:25 am (UTC)(link)
There's nothing to explain! [ The anger, the hurt, the disproportionate reaction — it's hard for her to be reasonable when her body is basically on the continuous verge of shutting down. ]

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